CROSSCURRENTS

The project consists of small woven art pieces that connect my contemporary artistic practice with the traditional art of weaving, creating a dialogue between the past and the present. Instead of directly introducing my aesthetic and technique into the weaving space, this project proposes a different approach: the integration of traditional craftsmanship into my contemporary artistic work, allowing the essence and character of my paintings to be conveyed through the hands of skilled artisans.

Objective
This project explores how traditional weaving techniques can serve contemporary art, incorporating the distinctive features of my painting creations – bold color choices, complex layers, and dynamic compositions – into small handcrafted woven pieces made by professional weavers. In this way, traditional art is not “lost” within the avant-garde of contemporary art; instead, it becomes a medium that conveys the spirit of my modern works.

Concept and Process
Starting Point – Paintings: The starting point is a selection of my paintings. These are chosen to highlight the characteristics of dynamism, spontaneity, and atmosphere, elements that define my artistic language.
Execution by Professional Weavers: The weaving process is carried out by professional artisans, using traditional techniques and handmade methods. The challenge will be to transfer contemporary abstract forms and colors onto the woven pieces, which will require specialized knowledge and careful material selection.
Application of Traditional Materials: Traditional materials used in weaving, such as wool, cotton, or silk, are employed to preserve the historical authenticity of the traditional art. The threads are chosen in consultation with the artisans to match as closely as possible the color tones and fluidity of my paintings.
Modern – Traditional Dialogue: This project explores the balance between the contemporary and the traditional. Contemporary art does not “invade” the space of the traditional medium; instead, the traditional medium of weaving becomes the channel through which the painting is transferred and recreated.

Theoretical Background
This project is grounded in a broader cultural critique that questions the boundaries and hierarchies between traditional and contemporary art. The aim is to promote the idea that traditional art is not “outdated” or isolated from modern artistic practices, but can actively contribute to shaping the contemporary visual landscape.

Final Artwork
The final woven pieces are reproductions of some of my paintings, transferred onto woven surfaces with fidelity in texture and color, maintaining the spontaneity, movement, and vitality that characterize my work. The woven pieces function as everyday utilitarian objects, encouraging viewers to appreciate them as authentic traditional works of art.